原创： 艺术via 艺术via 2016-12-21
|[Famous introduction] Zhang Xinglai: The progress
of art requires more exploratory works and painters
Original: Art via art via 2016-12-21
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Zhang Xinglai was born in Xinghua, Jiangsu Province in July 1961. In
1987, he graduated from Nanjing Art College with a bachelor's degree
in Chinese painting. He is currently a member of the Chinese Artists
Association, a national first-class artist, deputy director of the
Jiangsu Provincial Art Museum, executive director of the Jiangsu
Artists Association and deputy director of the Landscape Painting
Art Committee, vice president of the Jiangsu Chinese Painting
Society, and Jiangsu Wende Landscape Painting Association.
President, Jiangsu Provincial Painting Institute, Nanjing Painting
and Calligraphy Institute, special painter.
His works have participated in many international and domestic art
exhibitions, and have been collected, awarded, published and
published. Among them, he won the Bronze Award of the First Art
Festival of Jiangsu Province, the Bronze Award of Jiangsu Provincial
Painting Exhibition, and the 60th Anniversary of Yan'an Speech.
Silver Award, National Soul National Land Painting and Calligraphy
Grand Prix Excellence Award, Colorful Century Chinese Painting
Exhibition Bronze Award, Jiangsu Wanli Sketch Exhibition Bronze
Award, Japan International Ink Painting Exhibition Excellence Award,
6th Art Festival Chinese Painting Exhibition Excellence Award, 2006
Gold Medal of the 4th Landscape Painting Exhibition of Jiangsu
Province. In 2006, he was awarded the Jiangsu Excellent Young
National Painter. In 2009, he won the Silver Award of the National
Cultural System Staff Painting and Calligraphy Exhibition. He was
selected into the 100th Jinling Painting Exhibition in China and the
7th Chinese Culture of the Ministry of Culture in 2010. Art
Government Award ''Best Achievement Award'', won the gold medal of
China's 100 Jinling Chinese Painting Exhibition in 2011, was
selected as the 30th exhibition of Fu Baoshi Award in 2012, was
selected in the 12th National Art Exhibition in 2014, and was
awarded the government in January 2015. Special allowance. In June
2015, he won the second Jiangsu Provincial Wenhua Art Nomination
"Water Culture" and Zhang Xinglai's Ink Paintings - Ma Hongzeng
Zhang Xinglai was born in Xinghua, a water town in northern Jiangsu
Province in 1961. Zheng Banqiao and Li Futang of "Yangzhou Eight
Eccentrics" and Shi Naijun, the author of "Water Margin", are all
township sages. This seems to be doomed to the indissoluble bond
between Zhang Xinglai and "water culture". .
"Water culture" has three characteristics on the mental level: one
is "smart culture". Confucius said: The wise man is happy, this is
said to have the characteristics of intelligence and intelligence.
The second is the soft gram. "Laozi" believes that although the
water is weak, it can attack strong and strong, and the water
droplets are worn through, and there is a tenacious character in the
flexibility. The third is that the mind is good at keeping quiet,
and the good at doing things is good at playing the strengths, and
the action is good at grasping the opportunity.
According to my understanding of Zhang Xinglai for nearly two
decades, he fully possesses the above-mentioned spiritual qualities.
After graduating from the Chinese Painting Department of Nanjing Art
College in 1987, he came to the exhibition department of Jiangsu
Provincial Art Museum. At that time I was working as a deputy
curator. Since then, I and he have not only become acquainted
colleagues, but also become the same way to exchange artistic
insights. Due to his outstanding work performance, he was promoted
to a deputy director by an art designer and later promoted to
director. What makes me even more gratified is that he is busy with
the daily work of "making a wedding dress for others". Every day, he
takes the night and squeezes out all available time. He has worked
tirelessly on Chinese painting and never had Sunday. He also used
all possible opportunities to go to nature to understand the aura of
the heavens and the earth and expand the hills in the chest. Talent,
resilience, savvy, and wide-ranging collection, Zhang Xinglai
finally passed through the stone, and the water is everywhere, and
stands on the contemporary landscape painting with its distinctive
The majestic and flowing overall beauty is a major feature of Zhang
Xinglai's ink landscape paintings. This feature has opened up a
distance with many contemporary landscape painters who pursue the
beauty of air and quiet. At this point, he has some aesthetics
similar to Fu Baoshi.
In Zhang Xinglai's works, the specific forms of mountains and rivers
are not detailed, but they are always filled with the vastness of
the vastness of the earth, revealing an eternal realm of heaven and
earth in the vast space and time. This is his emotional sigh of awe
and love for nature, and his unique understanding of Cheng Tao. His
paintings overflow the vitality of the universe in the beauty of the
dynamics, but each has different aesthetic tendencies due to the
differences in the organization and distribution of the pictures.
The majestic of "Mountain Yun", the clearing of "Glen", the purity
of "Snow Snow", the warmth of "The First Light of Shuguang", the
difference of "Songlin Walk", the affinity of "Clouds and
Waters"...Diverse and unified The artistic conception creates a
sense of life, history and vicissitudes.
The landscape of Zhang Xinglais landscape is not necessarily the
reappearance of the object-shaped landscape, but the unrealistic
landscape of the artists reconstruction after the center of the
heart is an idealized and emotional image of the landscape. The
real scene is unreasonable, but it is in line with the usual
feelings, and it is in harmony with the mentality of modern people
and nature, and adapts to the needs of modern aesthetic vision to
seek new and different, thus surpassing the traditional "harmony
between man and nature" Time and modernity. Looking at its overall
momentum, it is impossible to think of Shi Tao's poem: "The heavens
and the earth are mellow, and then the wind and rain are divided
into four seasons. The light and dark are high and low, and they are
not like it." It is this kind of Zhang Xing's "not like", Make its
landscape paintings create a vast space that is imaginative.
Smart and fresh ink and rhythm beauty is another feature of Zhang
Xinglai's ink landscape painting.
Zhang Xinglai is quite unique in water use. Li Futang said that the
pen and ink are in the water. Water plays an important role in
freehand drawing, not to mention painting landscape paintings. He
often uses a pen full of appropriate amount of water, and ink drop
paper, dripping smooth, or dyeing or splashing, or hook or point,
pen with the heart, water to form, the charm is rich, a life. This
kind of freely transported water penetrates into the direction. If
it is not made into steel, you can be handy.
Of course, water does not exist in isolation, but is a pen carrier.
Look at his pen and ink change, thick and light, dry and moist,
sparse and dense, light and heavy, virtual and real, one by one
calmly write. The lines and the ink blocks echoed and danced
together, letting each other fly together, and the magical nature
became a kind of natural ecology that seemed to be true and
illusory, creating a beautiful, moist, sinuous and fascinating
landscape of mountains and rivers.
In the law of ink and wash, Zhang Xinglai has a beautiful and clear
mystery. The predecessors once said: "The mountains and rivers are
meteorological, and the ancestors are the ancestors; the Lin Biao is
delivered, and the Qing is the law." This is very true. If there is
no "浑", it will be small, and if there is no "clear", it will be
turbid. His works are treated with ingenious ink treatment, and the
relationship between the mountains and rivers and the clearness of
the trees is harmonious and harmonious. This feature is particularly
useful in works such as Shan Yun and Song Song without bones.
Zhang Xinglai was in the mid-aged period of vigorous energy and came
to Japan. With the strong backing of the spirit of "water culture",
his art of ink landscape painting is moving towards the realm of Shi
Tao--"Yu Mohai's neutral spirit, the life of the pen, the hair on
the scale, the light in the chaos ."